smoother shading techniques
I recently read Joshua Carltons book, and it was very infromative, but I'm still confused. He mentions that he uses a " cutback shader" to get smooth blends. I don't get how a shorter stroke at a faster pace will get a smoother blend. any help on getting my color blends and my black and gray blends to look like there is no transition at all would be greatly appreciated.
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Re: smoother shading techniques
I cover this a lot in my seminar dvd and to be honest I say quite the opposite??? not to ruin the "plot" hahahaaa
yeah I dont understand what he means by that either???? |
Re: smoother shading techniques
lookin forward to that investment!! can't wait to watch
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Re: smoother shading techniques
i agree with brandon on this one
i also find that if you use a rinse cup to cut your blacks, you can add a medium caps worth of white to the water and it gives you some super nice smooth light grays |
Re: smoother shading techniques
interesting.......i will have to try that. thanks Jeff!
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Re: smoother shading techniques
i also own joshuas book and one of his machines and i have to say i love the guys work and the info on not grey lining was a treat but really other than that i didnt gain a great deal and the machine ran like s&!t. does any one else own one to comment????
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Re: smoother shading techniques
I actually use a lot of white, watered down, in the mix along with greywash, and run the machine soft and fast
seems to help...no greylines, why would you greyline a smooth shaded area anyway? I don't get it |
Re: smoother shading techniques
Joshua Carlton is an incredible tattooer and I enjoyed tattooing with him while he was here, I have never used his machines so I cannot comment?
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Mine showed up with everything loose. I had to line the spring back up with the contact point on the shader. It also took about 6 months and 15 emails to get them. No disrespect to JC.
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Re: smoother shading techniques
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